Finally, the tutorial concludes with shading the hair groom using the Arnold Standard Hair shader, as well as setting up a leather and cotton material for the clothing. The workshop advances from there into some procedural techniques that will push the look of the skin using specific nodes in the Hypershade window. Once the eyes are in place, Sefki demonstrates how to set up the skin shader, plugging in texture maps and fine-tuning values for a photorealistic finish.

The look-dev process begins with the set up of the shaders for the eye geometries, including the sclera, iris, pupil, caruncle, and meniscus, using the Arnold Standard Surface shader. Starting in Maya, Sefki shares his techniques to light the character model, utilizing area lights, HDRI maps, and light blockers to establish the right mood before adjusting the camera to achieve the very best likeness of his digi-double. This comprehensive workshop by Sefki Ibrahim demonstrates how he approaches the look development of a digital double, and covers his complete process for lighting, shading, and rendering using Maya and Arnold. Substance Painter to Maya Arnold 5 script Plugin texture from Substance Painter to Maya Arnold 5Updated to include Substance Painter, version 6.2.0 tiling an. Whether it’s in movies, TV shows, music videos, or video games, digital humans are everywhere. This tool is used to automatically connect Substance Painter textures to Arnold, VRay, Renderman, Redshift and StingrayPBS for Maya.

Substance to maya arnold